Tuesday, January 26, 2010

Blog Debate One: Is Pornography Adultery?

Pornography is adultery because a man is involving himself in acts of a sexual nature, even if he is not physically with another woman. He is imagining himself with another person and using that person to fulfill his sexual needs. It is written in the Bible that looking at a woman with lust classifies as adultery, if the Christians in America truly wish to identify themselves as such they should own up to the fact that most of them have cheated before. This may seem trivial and yes times are changing but I don't think one's religion is supposed to change to fit the current trends. In addition, an addiction to pornography could easily lead to a desire for a more concrete form of gratification such as hiring an escort or meeting someone from an online site thereby fulfilling some crude fantasy. There is nothing good to be said about pornography and its influence on marriages and relationships.



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Tuesday, January 19, 2010

An Essay on Criticism

In his poem, "An Essay on Criticism," Alexander Pope writes about the rules governing the criticism of poetry and whether they still work in the world. He also creates his vision of the perfect critic who of course does not exist. Pope goes on to mention Nature and God in his assessment of poetry and its critics. He uses the word wit many times in his poem and this emphasis leads the reader to think a poet is someone with wit or intelligence. The emphasis in his poem seems to rest on the idea of criticism and the correct way to go about it. He deems that the laws of nature are parallel to the rules by which one criticizes art. Pope finds that pride and intelligence often cloud judgement and that the best judge sees the piece as a whole and his feelings mirror that of the poet at the time of writing. Still, Pope does admit that one can not always follow the rules and must a mistake if necessary. He makes a point of noting that being able to rhyme does not make one a poet. At the end of his poem Pope again refers to the ultimate critic who judges art fairly using his own work as a comparison for quality.